Never double booka camera or a crew again
Every asset and every person on one draggable calendar, with clashes blocked before they cost you a day.
Free plan. No card. Get started now.
A clash blocks the save
The save is refused before a double booking happens.
Book a kit in one click
Bundle twenty items once, then book them together.
See what earns its keep
Utilisation per asset, so idle gear is obvious.
Scan it out, scan it back
Barcode lookup and batch allocation on the day.
Drag the day into place
A month at a time, with the booked hours and the item count on every day and the individual items named on the days they go out.
The resource calendar starts on Pro, at eighty items.
Drag across dates to book
A drag over empty days creates a booking hold, linked to the work order it belongs to.
Move the block, move the order
Dragging an existing booking shifts the entire work order date range with it.
Filter to what you are looking at
By category, by location, by folder, in daily, weekly or monthly view.
The day, the crew and the kit on one order
The shoot window, the location, the call sheet it belongs to, and every person and every item held against it. Allocating a studio or a location writes its address onto the order.
Start free
On the order
A queue you can actually clear
Sixty-seven borrow requests on the desk, each with its borrower, the window it covers, the item count, and how long it has been waiting. Approve or deny from the row it sits on.
Start free
Not every feature shown here is on the free plan. The account itself is free forever with no card. See what each plan includes.
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About ABRAM
ABRAM's Resource Management covers production gear, camera packages, lighting kits, studio spaces, stages and vehicles across three views: Inventory, Kits and Calendar. Assets carry a name, category, storage location, day and hourly rate, serial number, barcode, purchase date and price, a point of contact, organization-defined custom fields and a quantity, and each receives an auto-generated asset ID and a utilisation percentage showing how often it is booked relative to its availability.
Categories include Equipment, Camera, Lighting, Audio, Grip, Electrical, Vehicle, Wardrobe, Props, Set Dec, Special FX, Location, Studio and Expendable. A global catalog search suggests equipment names as you type, and large studios and rental houses can bulk import inventory from a CSV, TSV or pasted spreadsheet data, then bulk edit status, condition, location and rates across many assets at once.
Kits bundle related items into predefined packages so a twenty-item camera build is booked in one action, with a combined package rate that can be overridden. Booking a kit creates allocations for every constituent asset on those dates. An AI kit builder can suggest package compositions.
The resource calendar is a draggable timeline with daily, weekly and monthly views, folder organization and filters by category, location and folder. Dragging across date blocks creates a booking hold linked to a work order, and dragging an existing booking shifts the entire work order date range. Allocating a location or studio resource synchronizes its address onto the linked work order.
A checkout desk sits alongside the inventory and holds the borrow requests waiting on a decision, each carrying its reference, the person who asked, the date window it covers, the hold date, the number of items and how long it has been waiting, with approve and deny on the row. A work order gathers a shoot window, a location, the call sheet it belongs to and every person and item held against it, and allocating a studio or location resource writes its address onto the order.
Double booking is a hard constraint: attempting to reserve or check out an asset already allocated beyond the owned quantity blocks the save outright at the moment it is attempted. Overallocation also generates soft capacity conflict records that surface on the project dashboard and calendar timeline. Barcode scanning and batch allocation are part of gear checkout, which is on the SMB / Enterprise plan.